Do you want your photos to have more impact? Are they dull?
Here’s the good news: you don’t need new equipment to take better photographs.
What can I do to make better photographs?
Here we go. This is what you want.
Your photographs should be anything but boring.
Yes, it could be subtle, or stunning, but you want to be anything but normal.
Yeah, normal sucks.
And, the answer for your normal may not be so apparent. You just like making images. But, you want more from them.
You’d like to become better at evoking something, an experience in the viewer. When the viewer sees your photograph, you want them to be a tad different when they walk away.
Here’s how you become a better communicator with your images (aka less boring).
Find your subject. Know your subject. Have you heard this before? It’s for good reason. Your subject is the message. It’s the primary point of interest in your photograph.
The other way I like to express the idea of the subject is through structure.
Structure – the arrangement of and relations between the parts or elements of something complex (source)
How do you see structure in photography?
- Define your subject – Look for big shapes, then small shapes.
- Identify structure – See how the parts within the visual space of your image come together.
- Squint your eyes – Simplify the image within your eyes before you take the photo. Squinting forces the contrast, light and dark parts, in the image to become the primary cues for structure.
Fight to see how the small shapes can form bigger shapes.
If you are successful, then you should be able to break down the image into its distinct pieces.
The principle of finding structure to improve visual interest and clear communication in a photograph is useful for stimulating interest.
Some more examples:
Of course, what you enjoy photographing depends on what you like to see. It doesn’t have to be landscapes or architecture. You can look for structure and capture it for almost any subject of interest.
If you’re just starting out, or want a kick-start, trying using minimalism as a method to define structure more clearly. Reduce everything in your image down to the simple shapes that form the photograph. For example, it could just be a picture of the bright white moon against a black night sky.
When you get used to seeing simple structures, lines and shapes, you will grow to see that more complex scenes are actually made-up-of a lot of simple parts.
A key aspect of photography is knowing/seeing how our world is in many ways simpler than our brains make it out to be. In reality, our visual perception is just a conglomeration of many, many small things put together.
Learn to deconstruct the visual space by looking for simple structure.
Use neuroscience to your advantage: capture in black and white
A quick note on these photographic examples. They are all in black and white. When you are making a photograph, and you’re struggling to define your subject. I find it is much, much easier to find structure when color isn’t in the picture. Color is another layer of complexity.
The key in communicating anything is clarity. Be clear. Remove as much noise in whatever medium you’re using to communicate that idea as simply and clearly as possible.
A black and white photograph captures structure in the simplest way because our brain processes light and dark shapes first, before any other information. Our brain uses these light/dark cues to form the primary visual information that we use to perceive our world. Use this neuroscience to your advantage.
Color is often redundant, and does not add to structure within a photographic image.
Of course, color has its own purpose. Color adds another layer of communication within the visual medium of photography. But, in the more than two hundred years of photography, all images were in black and white. See the work of Ansel Adams or Henri Cartier-Bresson for more recent works that have inspired millions of landscape and street-portrait photographers. Color did not come into play in photography until the late 20th century.
Become a better photographer by communicating more clearly. In the visual arts, clear communication means understanding how structure creates an image.
Here, structure is information. Information that is new and clear is never boring.