You’re stuck. You stare at bare metal or plastic models and realize, deep down that you should paint them.
Here are the issues that maybe undermining your will to start painting those models, and how to overcome them.
1. Finish Everything.
You want your finished result to match your time and energy investment.
Your opinion differs from mine. What is ugly to you is beauty to me.
At the end of the day, you’re trying to match your expectation that your work should be worthy of the time you put in.
But, you’re not sure you can do it and end up telling yourself, “Why start, if I can’t make it look as good as I want?”
You stall out, because the imagined or envisioned painted miniature serves your expectations.
Instead, expect yourself to finish the painted miniature.
It’s cliche, but true that the completed project is the reward in itself.
2. Work On Multiple Projects at the Same Time.
You change your mind quickly, and don’t know where to start. Okay, then start on everything (but keep point #1 in mind).
Are you the type of person who stalls out because you know there are many ways to accomplish the same thing?
Too many choices is debilitating, paralyzing.
You don’t want to choose the wrong method.
I heard a story once about a man who went to his doctor because he was experiencing incredible pain.
The doctor asked the man, “where does it hurt?”
The man answered, “All over!”
The doctor told the sick man to touch his knee. The man touched his knee and screamed in pain. The doctor told the man to touch his arm. More painful screaming. The doctor instructed the man to touch his nose. The sick man cried in pain again. Exasperated the man said, “Doctor, everywhere I touch hurts.”
The doctor finally examined him more closely, “You silly, you’ve got a dislocated finger!”
Are you one that keeps seeing your miniature pieces in different ‘light’?
My perspective keeps changing and it doesn’t feel right wherever and whenever I try and go with a project in a pre-planned direction.
I get impatient.
I want to just see what I want finished.
Nowadays, I don’t plan ahead.
I dive headfirst and I paint.
I hope that the end result is close to what I expected, but I let the process guide each paint (or whatever medium you’re using) application. Generally, this means I’m painting in fits and starts. It’s clunky, but clunky is progress (!).
So, I am most productive when I paint multiple models of different types at the same time. Because every time I switch to a new piece, I feel like I’m starting something, which is a good feeling. It’s the mid-way part, the in-between start and done that I find I get lost.
Try it. Begin multiple things and bounce between them. As you lose momentum on a project, go back to previous project.
Warning. Don’t start too many projects at once. I’d suggest no more than three.
‘Cuz it feels like that would give enough space between projects without having too much going on and getting lost.
3. Work in a Community of Similar Hearts.
Shades of a color, stick together.
Are you surrounded by like-minded individuals?
Different people are just that, different.
It helps when people around you are working on hard projects, and getting hung up on the same problems as yourself. A shared struggle.
Paint in groups of other people. Bring your work into the open and work alongside others. Art processes can bring about voices in your head (that inner-editor) that judges and criticizes you as you work. All that negativity spawns loneliness.
Some people cope with this better than others. But, I think all can benefit with having friends and relationships with other artists.
4. Escape for a Break in Nature, Outside.
Get out there. Outside.
Get inspired by natural wonders that you don’t have to make yourself. Go see a sunset at a beach or at the top of some hill.
Take a walk.
See the neighborhood.
Don’t escape by staying indoors and consuming television, video games, or other passive escapism-type activities. For some reason, here, I can’t explain it but these things are brain drains for me. I don’t feel inspired by any of this stuff. They are merely band-aids to your struggle with being stuck.
Yeah, when you want to get moving on a project. Get inspired by the outdoors.
Don’t escape inside. Get outside.
Then, take that feeling of being not stuck-indoors, and try and replicate it.
Well, that’s it. The four ways I have used to overcome and train my head-space to move forward in any creative endeavor. Finish. Work multiple projects. Stay connected. Be in nature.
I hope you enjoyed this article. Leave a comment. Let me know if you’re an artist, and if you’ve gotten “stuck” how you move through it?